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Cast:
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Crew:
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Special Effects:
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- Filmfex Animation Services Ltd.
- special optical effects
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Miscellaneous Companies:
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- Animals Unlimited
- Jones trained by
- Anvil Recording Studios
- music recorded at
- Lee Lighting Ltd.
- lighting
- R/Greenberg Associates Inc.
- title design
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- Sony U.K. Ltd.
- video equipment
- Steve Frankfurt Communications
- title design
- Thorn EMI Elstree Studios
- post-production
- Tony Silver Films
- title design
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Filming Locations: (Now With Clickable Links To Location On Google Maps)
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Tech Info:
- Budget:
- $11,000,000 (USA)
- Camera:
- Panavision Cameras and Lenses
- Color Info:
- Color (DeLuxe)
- Laboratory:
- DeLuxe, USA / Rank Film Laboratories, Denham, UK
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- Aspect Ratio:
- 2.35 : 1
- Cinematographic Process:
- Panavision
- Film Negative Format:
- 35 mm - Kodak 5247
- Printed Film Format:
- 35 mm / 70 mm
- Production Dates:
- 05 Jul 1978 - Dec 1978
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Quotes:
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Ripley: Ash, that transmission -- Mother's deciphered part of it. It doesn't look like an S.O.S.
Ash: Well, what is it, then?
Ripley: Well, I, it looks like a warning. I'm going to go out after them.
Ash: What's the point? I mean... by the time it takes to get there, you'll, they'll know if it's a warning or not, yes?
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Ripley: Whenever he says *anything* you say "right," Brett, you know that?
Brett: Right!
Ripley: Parker, what do you think? Your staff just follows you around and says "right"? Looks like a regular parrot.
Parker: [laughs] Yes... What, are you some kind of parrot?
Brett: Right!
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Parker: Before we dock, I think we ought to discuss the bonus situation. Brett and I, we think we ought to, we deserve full shares. Right?
Brett: You see, Mr. Parker and I feel that the bonus situation has never been on a, an equitable level.
Dallas: Well, you get what you contracted for like everybody else.
Brett: Yes, but everybody else gets more than us.
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[After discovering the alien bleeds acid.]
Parker: It's got a wonderful defense mechanism: you don't dare kill it.
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[Ripley has tried to disengage the self-destruct.]
Ripley: Mother! Turn the cooling unit back on! Mother! ...You bitch!
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Trivia:
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- Many of the non-English versions of the film's title translate as something similar to "Alien: The 8th Passenger".
- The embryonic movements of the "face hugger" (prior to bursting out of its egg) were created by Ridley Scott using both his rubber-gloved hands
- The letters that slowly reveal the title of the movie at the beginning start out as hash marks, one for each crewmember that is killed.
- The vector graphics that appear on Ripley's screen showing the undocking sequence for the Nostromo were also used for the aircar launch sequence in Blade Runner.
- Roger Dicken, who designed and operated the "face hugger" and the "chest burster," had originally wanted the latter to pull itself out of Kane's torso with its own little hands, a sequence he felt would have produced a much more horrifying effect than the gratuitous blood and guts in the release print.
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