 |
|
| Written and Directed by | George Lucas | |
| Produced by | Gary Kurtz | |
| Production Designer | John Barry | |
| Director of Photography | Gilbert Taylor, B.S.C. | |
| Music by | John Williams | |
| Performed by | The London Symphony Orchestra | |
| Special Photographic Effects Supervisor | John Dykstra | |
| Special Production and Mechanical Effects Supervisor | John Stears | |
| Film Editors | Paul Hirsch | |
| Marcia Lucas | ||
| Richard Chew | ||
| Production Supervisor | Robert Watts | |
| Production Illustration | Ralph McQuarrie | |
| Costume Designer | John Mollo | |
| Art Directors | Norman Reynolds | |
| Leslie Dilley | ||
| Make Up Supervisor | Stuart Freeborn | |
| Production Sound Mixer | Derek Ball | |
| Casting | Irene Lamb | |
| Diane Crittenden | ||
| Vic Ramos | ||
| Supervising Sound Editor | Sam Shaw | |
| Special Dialogue and Sound Effects | Ben Burtt | |
| Sound Editors | Robert R. Rutledge | |
| Gordon Davidson | ||
| Gene Corso | ||
| Supervising Music Editor | Kenneth Wannberg | |
| Rerecording Mixers | Don MacDougall | |
| Bob Minkler | ||
| Ray West | ||
| Robert Litt | ||
| Mike Minkler | ||
| Lester Fresholtz | ||
| Richard Portman | ||
| Dolby Stereo Consultant | Stephen Katz | |
| Orchestrations | Herbert W. Spencer | |
| Music Scoring Mixer | Eric Tomlinson | |
| Assistant Film Editors | Todd Boekelheide | |
| Jay Miracle | ||
| Colin Kitchens | ||
| Bonnie Koehler | ||
| Camera Operators | Ronnie Taylor | |
| Geoff Glover | ||
| Set Decorator | Roger Christian | |
| Production Manager | Bruce Sharman | |
| Assistant Directors | Tony Waye | |
| Gerry Gavigan | ||
| Terry Madden | ||
| Location Manager | Arnold Ross | |
| Assistant to Producer | Bunny Alsup | |
| Assistant to Director | Lucy Autrey Wilson | |
| Production Assistants | Pat Carr | |
| Miki Herman | ||
| Gaffer | Ron Tabera | |
| Property Master | Frank Bruton | |
| Wardrobe Supervisor | Ron Beck | |
| Stunt Coordinator | Peter Diamond | |
| Continuity | Ann Skinner | |
| Titles | Dan Perri | |
| Second Unit Photography | Carroll Ballard | |
| Rick Clemente | ||
| Robert Dalva | ||
| Tak Fujimoto | ||
| Second Unit Art Direction | Leon Erickson | |
| Al Locatelli | ||
| Second Unit Production Managers | David Lester | |
| Peter Herald | ||
| Pepi Lenzi | ||
| Second Unit Make-up | Rick Baker | |
| Douglas Beswick | ||
| Assistant Sound Editors | Roxanne Jones | |
| Karen Sharp | ||
| Production Controller | Brian Gibbs | |
| Location Auditor | Ralph M. Leo | |
| Assistant Auditors | Steve Cullip | |
| Penny McCarthy | ||
| Kim Falkinburg | ||
| Advertising/Publicity Supervisor | Charles Lippincott | |
| Unit Publicist | Brian Doyle | |
| Still Photographer | John Jay | |
Miniature and Optical Effects unit |
||
|---|---|---|
| First Cameraman | Richard Edlund | |
| Second Cameraman | Dennis Muren | |
| Assistant Cameramen | Douglas Smith | |
| Kenneth Ralston | ||
| David Robman | ||
| Second Unit Photography | Bruce Logan | |
| Composite Optical Photography | Robert Blalack (Praxis) | |
| Optical Photography Coordinator | Paul Roth | |
| Optical Printer Operators | David Berry | |
| David McCue | ||
| Richard Pecorella | ||
| Eldon Rickman | ||
| James Van Trees, Jr. | ||
| Optical Camera Assistants | Caleb Aschkynazo | |
| John C. Moulds | ||
| Bruce Nicholson | ||
| Gary Smith | ||
| Bert Terreri | ||
| Donna Tracy | ||
| Jim Wells | ||
| Vicky Witt | ||
| Production Supervisor | George E. Mather | |
| Matte Artist | P. S. Ellenshaw | |
| Planet and Satellite Artist | Ralph McQuarrie | |
| Effects Illustration and Design | Joseph Johnston | |
| Additional Spacecraft Design | Colin Cantwell | |
| Chief Model Maker | Grant McCune | |
| Model Builders | David Beasley | |
| Jon Erland | ||
| Lorne Peterson | ||
| Steve Gawley | ||
| Paul Huston | ||
| David Jones | ||
| Animation and Rotoscope Design | Adam Beckett | |
| Animators | Michael Ross | |
| Peter Kuran | ||
| Jonathan Seay | ||
| Chris Casady | ||
| Lyn Gerry | ||
| Diana Wilson | ||
| Stop Motion Animation | Jon Berg | |
| Phil Tippett | ||
| Miniature Explosions | Joe Viskocil | |
| Greg Auer | ||
| Computer Animations and Graphic Displays | Dan O'Bannon | |
| Larry Cuba | ||
| John Wash | ||
| Jay Teitzell | ||
| Image West | ||
| Film Control Coordinator | Mary M. Lind | |
| Film Librarians | Cindy Isman | |
| Connie McCrum | ||
| Pamela Malouf | ||
| Electronics Design | Alvah J. Miller | |
| Special Components | James Shourt | |
| Assistants | Masaaki Norihoro | |
| Eleanor Porter | ||
| Camera and Mechanical Design | Don Trumbull | |
| Richard Alexander | ||
| William Shourt | ||
| Special Mechanical Equipment | Jerry Greenwood | |
| Douglas Barnett | ||
| Stuart Ziff | ||
| David Scott | ||
| Production Managers | Bob Shepherd | |
| Lon Tinney | ||
| Production Staff | Patricia Rose Duignan | |
| Mark Kline | ||
| Rhonda Peck | ||
| Ron Nathan | ||
| Assistant Editor (Opticals) | Bruce Michael Green | |
| Additional Optical Effects | Van Der Veer Photo Effects | |
| Ray Mercer & Company | ||
| Modern Film Effects | ||
| Master Film Effects | ||
| De Patie-Freleng Enterprises, Inc. | ||
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