Vampires Store

Currently viewing records 11 to 20 of 22
First Page	Previous Page	Next Page	Last Page

Interview With The Vampire: Original Motion Picture Soundtrack
		Music by: Elliot Goldenthal  Media: CD  SPAR Code: ---  Tracks: 19  Origin: USA
Libera Me Born To Darkness Part I Lestat's Tarantella Madeleine's Lament Claudia's Allegro Agitato Escape To Paris Marche Funabre Lastat's Recitative Santiago's Waltz Theatre De Vampires Armand's Seduction Plantation Pyre Forgotten Lore Scent Of Death Abduction & Absolution Armand Rescues Louis Louis' Revenge Born To Darkness Part II Sympathy For The Devil - Guns N' Roses

Lifeforce: Original Motion Picture Soundtrack
		Music by: Henry Mancini  Media: CD  SPAR Code: ---  Tracks:  Origin: USA

Nosferatu: A Symphony Of Horrors (1998 Score To 1922 Film)
		Music by: James Bernard  Media: CD  SPAR Code: ---  Tracks: 14  Origin: USA
Overture - Omens of Nosferatu Hutter and Ellen Ellen's Disquiet Journey to Orlock's Castle In the Castle Ellen Sleep-Walks Hutter's Discovery Loading the Coffins Ellen by the Seashore Ship of the Doom Orlok's Liar Plague Pursuit of Knock Power of Orlok/The Death of Ellen

Philip Glass: Dracula
		Music by: Philip Glass  Media: CD  SPAR Code: ---  Tracks: 26  Origin: USA
Dracula Journey to the Inn Inn Crypt Carriage Without a Driver Castle Drawing Room 'Excellent, Mr. Renfield' Three Consorts of Dracula Storm Horrible Tragedy London Fog In the Theatre Lucy's Bitten Seward Sanatorium Renfield In His Cell When the Dream Comes Dracula Enters Or a Wolf Women in White Renfield in the Drawing Room Dr. Van Helsing and Dracula Mina on the Terrace Mina's Bedroom/The Abbey End of Dracula   It's no surprise that some of Philip Glass's most inspiring projects have been multimedia. The composer's minimalist tendencies lend themselves to the accompaniment of vast landscapes, silent films, and--now--Tod Browning's 1931 horror classic, Dracula. With longstanding collaborators the Kronos Quartet performing the score, Glass has created a soundtrack that moves with rapid-fire momentum and a timeless chamber-music feel. Dracula never sounds sinister or ironic, just ominous--the perfect companion to a film with plenty of dialogue but no pre-existing score. So what if we've already heard Glass's stylistic trademarks--striking arpeggios, repeated motifs, and the like--on any number of albums (for example, the Kronos/Glass soundtrack to Mishima or Uakti's 1999 release, Aguas de Amazonia)? Unlike the epic three and a half hours of Music in Twelve Parts, this enjoyable disc takes just over an hour and it's well worth hearing. In the new video release of Dracula, accompanied by Glass's score, you'll never see Bela Lugosi's mug the same way again.

Queen of the Damned
		Music by: Various Artists  Media: CD  SPAR Code: ---  Tracks: 14  Origin: USA
Not Meant For Me - Wayne Static of Static-X Forsaken - David Draiman of Disturbed System - Chester Bennington of Linkin Park Change - Deftones Redeemer - Marilyn Manson Dead Cell - Papa Roach Penetrate - Godhead Slept So Long - Jay Gordon of Orgy Down With The Sickness - Disturbed Cold-Static - X Headstrong - Earshot Body Crumbles - Dry Cell Excess - Tricky Before I'm Dead - Kidney Thieves   Befitting the film's hip goth vibe, its accompanying soundtrack is suitably dark and sexy, with a strong mix of new songs and nü-metal hits. In an interesting move, Korn frontman Jonathan Davis collaborated with composer (and former Oingo Boingo keyboardist) Richard Gibbs on 5 of the CD's 14 tracks, though Davis doesn't sing his songs. Instead, taking those duties are Static-X's Wayne Static on "Not Meant for Me," Disturbed's David Draiman on "Forsaken," Linkin Park's Chester Bennington on "System," Marilyn Manson on "Redeemer," and Orgy's Jay Gordon on "Slept So Long." Most of the Davis-Gibbs collaborations are akin to more atmospheric, dramatic Korn tunes, lent a distinctive personality by each singer, with Manson's being the creepiest-coolest and most aggressive entry. While these adroit alliances make the soundtrack a must-have for each of the band's fans (not to mention the Korn faithful), the previously released cuts are also winners. Deftones' creepy "Change," Papa Roach's angry "Dead Cell," and Disturbed's memorable rage "Down with the Sickness"--in addition to lesser-known, but sinister and titillating offerings from Godhead, Kidney Thieves, Earshot, Tricky, and others--are all worth the price of admission to this "damned" stellar soundtrack. --Katherine Turman (amazon.com)

Queen of the Damned (Clean)
		Music by: Various Artists  Media: CD  SPAR Code: ---  Tracks: 14  Origin: USA
Not Meant For Me - Wayne Static of Static-X Forsaken - David Draiman of Disturbed System - Chester Bennington of Linkin Park Change - Deftones Redeemer - Marilyn Manson Dead Cell - Papa Roach Penetrate - Godhead Slept So Long - Jay Gordon of Orgy Down With The Sickness - Disturbed Cold - Static-X Headstrong - Earshot Body Crumbles - Dry Cell Excess - Tricky Before I'm Dead - Kidney Thieves   Befitting the film's hip goth vibe, its accompanying soundtrack is suitably dark and sexy, with a strong mix of new songs and nü-metal hits. In an interesting move, Korn frontman Jonathan Davis collaborated with composer (and former Oingo Boingo keyboardist) Richard Gibbs on 5 of the CD's 14 tracks, though Davis doesn't sing his songs. Instead, taking those duties are Static-X's Wayne Static on "Not Meant for Me," Disturbed's David Draiman on "Forsaken," Linkin Park's Chester Bennington on "System," Marilyn Manson on "Redeemer," and Orgy's Jay Gordon on "Slept So Long." Most of the Davis-Gibbs collaborations are akin to more atmospheric, dramatic Korn tunes, lent a distinctive personality by each singer, with Manson's being the creepiest-coolest and most aggressive entry. While these adroit alliances make the soundtrack a must-have for each of the band's fans (not to mention the Korn faithful), the previously released cuts are also winners. Deftones' creepy "Change," Papa Roach's angry "Dead Cell," and Disturbed's memorable rage "Down with the Sickness"--in addition to lesser-known, but sinister and titillating offerings from Godhead, Kidney Thieves, Earshot, Tricky, and others--are all worth the price of admission to this "damned" stellar soundtrack. --Katherine Turman (amazon.com)

Queen of the Damned (The Score Album)
		Music by: Jonathan Davis  Media: CD  SPAR Code: ---  Tracks: 10  Origin: USA
Queen Of The Damned Jesse's Dream On The Beach Secret Passage Air Lestat A Walk In The Park Maharet Prodigal Sun The Queen Is Dead Long Live Jesse

Scars of Dracula (Original Motion Picture Soundtrack)
		Music by: James Bernard  Media: CD  SPAR Code: ---  Tracks: 23  Origin: UK
Dracula Resurrected Innocent Victim/Opening Credits Villager's Revenge Burning Castle Dracula Slaughter in the Church Errant Coach Sinister Greeting Paul's Nightmare Begins Futile Escape Search for Paul Sarah and Simon Arrive at the Castle Dracula and Sarah Power of the Crucifix Klove's Warning Fleeing the Castle Klove's Agony "The Embodiment of All That Is Evil..." Return to the Castle Dracula Prevails Wings of Death Simon's Nightmare Spell of Dracula Finale and End Credits   Soundtrack to the classic 1970 Hammer film. Digitally restored from the original recordings. Score by James Bernard. Liner notes by the film's director Roy Ward Baker with detailed notes on the making of the film. 2000 release. Standard jewel case.

Taste the Blood of Dracula
		Music by: James Bernard  Media: CD  SPAR Code: ---  Tracks:  Origin: USA

The Lost Boys: Original Motion Picture Soundtrack
		Music by: Various Artists  Media: CD  SPAR Code: ---  Tracks: 10  Origin: USA
Good Times - Jimmy Barnes Lost in the Shadows (The Lost Boys) - Lou Gramm Don't Let the Sun Go Down on Me - Roger Daltrey Laying Down the Law - Jimmy Barnes People Are Strange - Echo & the Bunnymen Cry Little Sister (Theme from the Lost Boys) - Gerard McMann Power Play - Eddie and the Tide I Still Believe - Tim Capello Beauty Has Her Way - Mummy Calls To the Shock of Miss Louise - Thomas Newman   Director Joel Schumacher, who went on to helm many big-budget, tiny-intellectual movies, gave us an 1980s update of the story of the vampire. It was all hip, good-looking, and tremendously vacuous. Similarly, the music doesn't break any new ground or offer much that's timeless. INXS' collaborations with Jimmy Barnes are fine, for instance, but Foreigner vocalist Lou Gramm's "Lost in the Shadows (The Lost Boys)" verges on the painful in a way that only overwrought 1980s music can. Roger Daltrey's take on Elton John's "Don't Let the Sun Go Down on Me" is by the numbers, and so wasted. It's only Echo and the Bunnymen's cover of The Doors' "People Are Strange" that warrants much attention, even if it's, erm, buried.

Currently viewing records 11 to 20 of 22
First Page	Previous Page	Next Page	Last Page

back to the Vampires Store
back to Vampires
back to the Britannia Film Archives

Questions, Comments?   Please Contact ASH
Database Last Updated: August 13 2025 14:53:18.

page design & content copyright © 2025 Andrew S. Harris

Dolby and the are trademarks of Dolby Laboratories Licensing Corporation.
return to britannia.org