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    The Vampire Lovers (Original Motion Picture Soundtrack)
    The Vampire Lovers (Original Motion Picture Soundtrack) Cover Image
     Music by: Harry Robertson
     Media: CD  SPAR Code: ---
     Tracks: 29  Origin: USA

    1. Baron Harlog's Story
    2. Opening Credits
    3. Man in Black
    4. Marcilla and the Man in Black
    5. Laura's First Nightmare
    6. Marcilla by Moonlight
    7. Marcilla and Laura
    8. Laura's Second Nightmare
    9. Laura Is Dead
    10. Attack in the Woods
    11. Emma Meets Carmilla
    12. Playing Around
    13. Emma's First Nightmare
    14. Another Attack!
    15. Carmilla and Emma

    1. Carmilla and the Governess
    2. Doctor's Visit
    3. Carmilla Kills the Doctor
    4. Karnsteins Have Returned
    5. Governess Is Tormented
    6. Harlog Re-Tells the Story
    7. Carmilla and Benton. Harlog Continues the Story
    8. Carmilla's Power
    9. Carmilla Is Destroyed
    10. Mortons Leave the Ball [Waltz]
    11. Countess and Marcilla Arrive [Waltz]
    12. Sinister Message [Waltz]
    13. Where Is Marcilla? [Waltz]
    14. Accordion (Benton at the Inn)
     



    Vampires: Music From The Motion Picture
    Vampires: Music From The Motion Picture Cover Image
     Music by: John Carpenter
     Media: CD  SPAR Code: ---
     Tracks: 16  Origin: USA

    1. Teaser - Stone
    2. Slayers - Texas Toad Lickers
    3. New Mexico
    4. Headless Preist
    5. Motel Sex - Texas Toad Lickers
    6. Night Attack
    7. Santiago
    8. Stake and Burn

    1. Valek's Portrait
    2. Sunrise Death
    3. Valek Attacks
    4. Vampire Vision
    5. Farewell Slayer
    6. Cruel Highway - Texas Toad Lickers
    7. Katrina Bites
    8. Padre's Wood - Texas Toad Lickers
     
    Director John Carpenter also takes on the musician mantle in this alternately loud, moody, and sometimes raunchy interpretation of how a movie should sound when it melds the vampire and Western genres. The opening track misleads us into thinking the album is all about Southwestern sawdust barroom blues, but there is an ample amount of what Carpenter calls "heavy-breathing horror stuff" to make this a credibly scary soundtrack. There are plenty of contemplative and eerie interludes. The pairing of soft but menacing pedal-steel guitar and Carpenter's synthesizer on "Headless Priest" and Carpenter's own tune set to Spanish guitar (what he admits is a "riffing off" of Dimitri Tiomkin's "De Guello" for Rio Bravo and The Alamo) give this otherwise uneven assortment some atmospheric bite.
     

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